splitending

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#Roni Horn #contemporary art #photography #becoming landscape

Roni Horn (b. 1955), Becoming a Landscape, 1999–2001 (detail).Twenty chromogenic prints, six prints 20 ½ x 20 ½ in. (52.1 × 52.1 cm) each, fourteen prints 30 ½ x 23 in. (77.5 × 58.4 cm) each. Whitney Museum of American Art, New York; purchase with funds from the Photography Committee, Director`s Discretionary Fund, Steven Ames, Kathryn Fleck, William True, and the Henry Nias Foundation, 2002.294a-t© Roni Horn

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#Roni Horn #this is me this is you #photography

Roni Horn (b. 1955), This is me, This is you (detail), 1998–2000. Ninety-six chromogenic prints, 12 ½ x 10 ¼ in. (31.8 × 26 cm) each. Courtesy the artist and Hauser and Wirth© Roni Horn

nevver:

What day is it?

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#Sarah Wilmer #photography #humble arts

Untitled, from The Small Hours, 2010
Sarah Wilmer

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delightfullycatawampus:

Sarah Wilmer, Untitled from “I Will Find You on the Beach, 2011”
http://hafny.org/exhibitions/soloshow/sarah-wilmer-exhibition/

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#Sarah Wilmer #photography #humble arts

Untitled, from Secret Ceremony, 2010 
Sarah Wilmer

myeyesareshutandclosed:

a white mark in a white space is harmonius

a white mark in a black space is dangerous

a black mark in a white space is suspicous

a black mark in a black space is invisible

6/2/12

“Wave Sounds” 2 hours of Lapping Waves

(Source: youtube.com)

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Gareth Long, ‘Live subtitles’ (2005)

The installation used voice recognition software to cull the voices of the spectators, turning their speech into live captions superimposed on a live video feed.

Full text here

6/2/12

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jasminegregory:

Bird. 2012 by Jasmine Gregory

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jasminegregory:

Foam. 2012 by Jasmine Gregory

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jennilee:

cast sugar sculptures - rebecca holland

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